On a recent early morning bike ride along some local wooded trails, I happen to stumble upon the greatest of beginners: a group of children playing with rocks, moss, and whatever “loose parts” they could lay their hands on. I smile and ride right past them, unwilling to break the spell.

But then I spot the father and we exchange “good mornings,” before I squeeze the brakes on my bike and come to a halt. I know this particular man and he just so happens to be a passionate member of the outdoor- and adventure-based experiential education community. And since I had been musing on how to approach this — the third installment of the NCOAE Re-ignite Your Inner Beginner series — bumping into this man on the bike trail was perfect!  

Scott Schnieder, Senior Lecturer – Department of Health and Exercise Studies — N.C. State University

Just shows how it goes; you’re looking for the right person to ask a question and they appear exactly where you need them to be at exactly the right time — in the outdoors.

The father’s name is Scott Schneider, and he’s a well-known senior lecturer of Outdoor Leadership at North Carolina State University in Raleigh. He teaches courses in backpacking, rock climbing, mountaineering, basic canoeing, and challenge course programming, to name a few.

Scott is also a certified American Mountain Guide Association (AMGA) guide with a Single Pitch instructor (SPI) designation to his credit, a Leave No Trace (LNT) trainer, Wilderness First Responder (WFR), and an Association of Challenge Course Technology (ACCT) certified challenge course manager.

Grabbing up my phone and turning on the mic, I asked Scott a few questions about staying fresh, excited, and teachable in the field. Here’s what he had to say:

Francis Bacon, the Renaissance statesman and philosopher best known for his promotion of the scientific method, is credited with the expression, “Knowledge is power.” But to those of us who prefer to see a world bathed in fresh new adventures, knowledge can actually be a curse.

Here at The National Center for Outdoor & Adventure Education (NCOAE), we encourage our students to take an adventure first / educational always approach to discovering new experiences; to become beginners at something fresh. Attempting something new promotes a growth mindset. It reminds us to reflect on our education expertise and empathize with those we teach and lead on first-time adventures. And it keeps us from getting stale.

In this, the second installment of the benefits associated with discovering new human-powered outdoor challenges, we’d like to introduce Christine Fantini, who has toiled for years in our industry as a guide and outdoor educator. For a good chunk of her career, Christine was a sailing instructor in Massachusetts, eventually becoming director of sailing programs for the Town of Yarmouth. She helped create OWLS (Outdoors We Learn to Succeed) in Durham, N.C.’s public schools.

Photo: Christine Fantini

In addition, Christine is a certified Kripalu yoga instructor, bringing yoga to children in inner city schools, and she also taught bilingual classes within the Latino community. She has explored the wilderness by hiking, bouldering, climbing, biking, and paddling.

And now, after years of wandering around the woods, exploring off trail, “getting lost” on purpose, and once being lifted off her feet by 90 mph winds on a mountain trek, Christine is igniting her inner beginner by exploring a fresh, new pursuit. This North Carolina-based educator has taken up running as a new means of exploration.

Why running? We asked Christine to explain to us why she would abandon other human-powered outdoor pursuits in which she has had much success in order to run. Here’s what she said:

They say you never forget your first kiss. And while that’s very sweet and sometimes even true, the point I’m going to attempt to make is this:

If you’re an avid surfer, rock climber, or backcountry enthusiast, there are times when you look back on your first epic outdoor adventure. Sometimes it’s with a grin, and sometimes it’s with a grimace.

What we’re going to do in the next couple of posts in this new series here on the NCOAE blog is to ask you to consider rebooting your minds and think back to your initial foray into your favorite human-powered outdoor adventures.

Maybe you remember paddling into your first wave and just lying on the board until the person next to you leans over and says, “Hey, jump to your feet without thinking about it. It’s easy.” And so, you do — and you’re amazed how effortlessly it was. And it’s been 10 seconds and you’re still standing up, riding the foam, wondering where that sense of balance came from.

Photo by Julian Bialowas on Unsplash

Same for the time you put on your climbing gear and successfully made your way up a challenging route. Or paddled your kayak straight toward a stretch of angry rapids.

Is it the adrenalin rush that got you hooked on your particular activity in the first place? Was it the ever-pleasant dopamine blast? More important, do you still get that feeling of excitement every time you participate in that activity or has it become routine?

If your answer is in the affirmative, head out and continue to do your thing. However, if the thrill is gone, or greatly reduced, keep reading.
Re-igniting Your Inner Beginner
At The National Center for Outdoor & Adventure Education, we put a lot of effort into producing outcome-based trainings and courses. In fact, skillfully designing and facilitating AEE Accredited outdoor and adventure-based programming requires that our students experience a desired outcome.

It’s in our DNA here at NCOAE to ensure that occurs. Our leadership team makes sure of it. If you’re going to try something here, you’d better have a plan.

Sometimes it’s difficult:

As you’re probably already aware, outdoor magazines such as Bike, Surfer, Powder and Snowboarder have all shuttered their windows and shut down their presses. So now what? Where do you turn for some real human-powered and adventure-based outdoor and journalism? And by journalism, we’re not talking about tweets, posts, and pieces written in and curated by whatever advertising banner flies across a website or social media platform.

Print journalism — especially outdoor magazines — is supposed to show an investment in credibility. Its printed editions say, we care and we are serious about what we do. And how do you gain access to a quality outdoor journal? You pay for it, that’s how.

We have no problem spending money for independent music, artisan foods and craft beer, as well as the artists we really want to see. To obtain those experiences, we go buy the vinyl, we shop the local markets, we attend the art shows, and we actively support these ventures.

But today, the majority of our best journalists, photographers, editors, and artists are independent operators, some contributing to outdoor journals such as Adventure Cyclist Magazine, BikePacker Magazine (now part of Bikepacking.com), The Surfers Journal, and Adventure Journal. Unfortunately, these magazines could soon disappear if we don’t continue to support their work.

“Ah,” you say, “But I can view any of these journals on their websites and see what they are doing.” Yes and no.

Yes, you can see the work of these journals — and their journalists — online, and indeed, the quality of the photography is beautiful, and the writing is inspiring. With just a click of a mouse, you can get a fair representation of what a slick, colorful, hold-in-your-hand magazine can give you. But not quite.

Print magazines and journals are the best! They physically arrive on your doorstep and you devour them so fast you can’t wait for the next to arrive. And the next issue won’t arrive for another three months! So, you keep your back issues. Another plus, no need to plug in, boot up, log on, and go into a search box to find words to read and beautiful pictures to help you escape.

Three months between issues? Sometimes! Quality takes time. 

We’re not saying online journalism is without merit. But, honestly, in a short time, online articles are shuffled off to Recent Posts archives, mistakes and typos are corrected and edited. But once a magazine or journal is printed and in your hands, it is

Federico Cabrera is a dreamer. For years, he had dreams of becoming a National Geographic photographer. Taking photos in Africa was top of mind for 15 years as he toiled in foreign trade. But that nagging thought of grabbing up a camera and exploring the world finally prompted Federico to give up his successful career and follow  the photo bug dream.

These days, Federico Cabrera is a Buenos Aires-based freelance photographer, traveling throughout South America on a bicycle and living in the countryside and, as we’d like to point out, making a difference in the world.

(Image © 2020 Federico Cabrera)

Walking away from his former career, Federico put new-found energy into a life behind the lens. And to do this, he said he began commuting country to country by bike, initially to reduce stress and eventually to return to a simple/healthier way of living. He now travels at a pace that enables him to actually see the countryside from the seat of a chain-driven bicycle rather than behind the wheel of a fast-moving, impersonal car.

Today, we feature the works of Federico in Part 2 of our Inspiration Through Exploration series. A photo is nothing more than light passing through a hole in a box. Whether exposed to paper treated with chemicals or digital receptors, the end product is the same — a photograph. And when you see a photograph that moves you, that is inevitably the result of the subject and the camera operator engaging in the movement of light together — a beautiful dance.

This week’s featured artist not only performs this dance with his subjects, but he produces beautiful portraits of them that he frames and then hands over to the subjects of his photography. His portraits are the residents of poor communities in South America, many living in homes with little or no access to electricity or clean water.

It was while visiting with these families that Federico discovered that in many of the homes, the residents didn’t even have a portrait of their family. That prompted him to carry a printer along with paper and ink to deliver personal portraits of his subjects.

On a more realistic level, Federico saw many families living with little or no electricity in their homes and worse yet, contamination in their water supplies. He decided he could make a small difference by handing out solar lamps and water filters to households he visited while on his expeditions. That, along with portraits of those families that were often the only photographs these South Americans had in their homes.

Federico figures he’s donated nearly 350 solar lamps and water filters, along with more than 500 printed portraits in the six years since he began these bikepacking adventures, which include expeditions through Argentina, Chile, Venezuela, Brazil, Peru, and Bolivia.

So when Federico packs up for a photo expedition, he brings along his essential photography equipment, as well as solar lights and water filters that he personally delivers to those who need them.

A photographer? Yes, but Federico is much more, not only capturing the light to make a family portrait, but a light that is filled with empathy, compassion and a heart.

We asked Federico what inspires him and how he arrives at his inspiration:

This week we begin the first in a three-part series called “Inspiration Through Exploration” where we will see how gifted and novice travelers alike can document their adventures through artwork, photography, writings and other means.

Today’s inspiration comes from Australian Alex Hotchin and her beautiful — and very unique maps. Next week, we will explore the photography of Federico Cabrera in his “Their Only Portrait Project.” And in Part Three, we will see how primitive and print journals are emerging, with representation from both the Adventure Journal and Bikepacking Journal.  

(Image ©2020 Alex Hotchin)

What we here at the National Center of Outdoor & Adventure Education (NCOAE) hope to accomplish in this series is to inspire outdoor enthusiasts to document their adventures in new and fascinating ways. Too often we just pick up our smartphone or camera to grab a quick shot of a passing bird, a mountain formation, or the cool gear of the hiker in front of us.

We are hoping to encourage you to move outside the boxes (devices, phones, computers) that are typical of  modern-day sharing. For example, I carry a camera on my bicycle, usually strapped to my climbing harness or in my boats. Ninety-nine percent of the time I don’t touch it. So, why carry it at all? Because maybe one percent of the time, I see something that I want to help illustrate the story and memory of that specific moment in time, during that specific journey. I like to take pictures of the unexpected.

Most of the time, I also carry a roll of colored pencils and a notebook. Drawing takes more time, so it forces me to stop and think about how to best combine lines and colors to represent something meaningful to me and to connect my story with those who might see it later on.

Many times upon returning from a long outing or expedition for NCOAE, I show my family and friends my journal, drawings, and photos to accompany my stories. This gives people the opportunity to come up with questions, engage with the landscape and not just ask, “How was your trip? “What did you do?” Sharing on a personal level allows for a secondary depth of exploration, face to face (or six feet apart for now).

Meet Alex Hotchin

Alex is an illustrator who creates books and maps to tell her stories. Her illustrations are inspiring and the maps she creates are personal to herself and to her specific journeys.

When looking at Alex’s work, you get the sense you have actually joined the journey. Alex takes two-dimensional representations of maps and makes them jump off the page. Scale is not specific to cartography, with the scale offering viewers a look through the artist/adventurer’s eyes. What she saw out there — the beauty, the obstacles and cultural significance — is laid out before us in lines, shapes and colors.  

Can you actually find your way using her maps? I suppose that depends on where you want to go. We asked Alex to provide us with a little detail about the work she does, and here’s what she had to say:

Welcome to our third — and final segment in our series about sports terminology and slang terms. In this post, we’ll be talking about whitewater paddling, and right off the bat, we’ve got a warning for the novice paddler.

Those who might be unfamiliar with whitewater kayaking or canoeing might think rowing and paddling are the same thing. But those folks would have another think coming. Because nothing raises the hackles of a whitewater guide or enthusiast than hearing a newbie describe canoe and kayak propulsion as “rowing.” Strike One!

The only thing worse would be referring to a paddle as an oar. Paddles are used for paddling. Oars are used for rowing. Strike Two!

We apologize for the harsh tone, but we are professional educators and guides here at The National Center for Outdoor & Adventure Education (NCOAE), and our primary purpose today is to support you in your efforts to make yourself a more confident person when you emerge from the river. That means that, during the course of a conversation, if you were to say you were rowing a river and got your playboat stuck in a ‘sticky hole,” you would need to take a “wet exit” from the conversation without the opportunity for a “brace” or a “combat roll.” Fact!

So, let’s pack our dry bags, pull on our skirts and PFD’s and hit the river.

We’ll start with the name of the vehicle in which we will be paddling. Your first thought might be to call it a kayak. Don’t. Yes, in every design aspect and shape it’s a kayak. But when you talk about your kayak, you will be saying “boat.” No, really. We insist. And we understand you might be confused but trust the process.

Here are some terms you’ll need to know about the boat (kayak) and it is various and sundry accessories: